117 Royalty-Free Audio Tracks for "Claude Lejeune"

Claude LeJeune, Revoici venir du printemps

1st release date: 1916

Debussy, "Dr Gradus" from Childrens Corner, bars 36-43

Debussy, "Dr Gradus" from Childrens Corner, bars 1-3

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

1st release date: 1916

Debussy, "General lavine" - excentric, bars 11-18

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Excerpt from "Clair de Lune" of Claude Debussy's Suite bergamasque (1905) for solo piano.

Created by Hyacinth (talk) using Sibelius 5. See: Image:Debussy Prélude 8.JPG

La Cathedrale engloutie bars 1-2

La serenade interrompu, bars 76-86

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Bars 1–2 from Claude Debussy's Sarabande from Pour le piano. Midi version created by Hyacinth (talk) 20:32, 4 February 2011 (UTC) using Sibelius 5.

Parallel fourths evoking organum in Debussy's "The Sunken Cathedral" opening

Debussy Quartet 2nd movement, bars 140-7

Debussy "La cathedrale engloutie", bars 22-28

Des pas sur la neige, bars 1-7

Debussy, from Hommage a Rameau

Prelude a l'apres midi bars 35-40

Debussy, la Damoiselle Elue, Fig 30

Debussy; Beau Soir,Giuseppe De Luca, Victor 64934

Debussy la Fille aux cheveux de lin, bars 1-4

Debussy Reflets dans l'Eau opening 2 bars

Debussy Reflets dans l'Eau varied recapitulation of the opening

Debussy, the Snow is Dancing, Bars 34-38

Debussy, from 'General Lavine - eccentric'

Debussy Gymnopedie 1, arrangement of Satie’s Gymnopedie 3.

Claude-Paul Taffanel's Andante Pastoral et Scherzettino (1907), the competition piece for the 1907 Paris Conservatory Flute Concours. Performed by Alex Murray (flute) and Martha Goldstein (piano) for Pandora Records, c. 1980, and released on Pan 110.

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

Claude Debussy String Quartet (1893) second movement opening.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Debussy, La Fille aux cheveux de lin, bars 26-29

Joseph est bien marié - Pièce pour orgue pour le temps de Noël, de Claude Balbastre.

Debussy la Fille aux cheveux de lin, opening bars

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

Diatonic planing from Feuilles mortes ("Dead Leaves") by Claude Debussy.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]

La Plus Que Lente, performed by Wikipedia user La Pianista. Українська: La Plus Que Lente — вальс написаний французьким композитором Клодом Дебюссі в 1910 році. Čeština: Klavírní skladba - waltz La plus que lente francouzského skladatele Claudea Debussyho z roku 1910. Эрзянь: La Plus Que Lente. Теизе-арсизн Клод Дебюсси — французонь седийсёрмадеесь 1910 иестэ. La Plus que lente, morceau composé en 1910 par le compositeur français Claude Debussy.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: II. "Jeux de vagues" performed by the Concert Band of the United States Air Force Band. Track 10 from French Impressions (2000).[1][2][3][4]